Sporting a dynamic painting by the late Glen Orbik and a cover font that looks like it was ripped from the cover of a 1960s issue of FAMOUS MONSTERS, Samuel Fuller's BRAINQUAKE (Hard Case Crime, 2014), is a swift-kick-in-the-teeth, fist-to-the-gut, full-tilt-boogie assault of adrenaline fueled pulp fiction. Oh, yeah, you read it right. It's written by that Samuel Fuller.
Samuel Fuller (1912-1997) was an idiosyncratic film writer and director that left his unique, personal stamp on the post war American cinema, especially during the 1950s. Fuller's films pulled no punches in their depictions of crime, war, the American west and modern madness. Fuller, a WWII combat veteran, saw enough horrors in war to last a lifetime. His war experiences, combined with his pre-war employment as a newspaper reporter, gave Fuller a front row seat to the evil that men do. When Fuller began writing screenplays and then, eventually directing low budget genre films, Fuller drew on his own experiences for material, which gave his films an unmistakable jolt of reality and truth.
His filmography includes such classics as PICKUP ON SOUTH STREET (1953), THE NAKED KISS (1964), SHOCK CORRIDOR (1963) and THE BIG RED ONE (1980). Fuller, always and ever his own man, fell out of favor during the 1960s but his body of work, filled with virtuoso visuals and uncompromising storytelling, inspired a generation of filmmakers including Steven Spielberg, Martin Scorsese and Francis Ford Coppola. To watch a Fuller film is to be totally immersed in his overpowering world view of darkness, insanity and redemption. While not every film with his name on it is a classic, every film he made is well worth your time to seek out and watch. You won't be disappointed.
In addition to screenplays, Fuller wrote novels including BURN, BABY, BURN (1936), TEST TUBE BABY (1936) and THE DARK PAGE (1944). He wrote BRAINQUAKE in the early 1990s, but it was only published in France and Japan at the time. Hard Case Crime (bless 'em), brought this long lost last novel to mass market publication in 2014 and while it's not quite a masterpiece, it is nonetheless an important and vital work by a one-of-a-kind American artist of the 20th century.
BRAINQUAKE is the story of one Paul Pope, a bagman for a major New York City crime organization. Pope's job, along with dozens of other anonymous men, is to deliver bags of money throughout the city. Some of the money is to be used in payoffs and bribes, some is to be laundered. The bagmen live by a strict code of honor, a code which is punishable by death if broken. Guess what Paul does?
But he has good reason because Paul, you see, was a mute as a young man and while he can speak, he rarely does so. He lives a solitary life with few friends and only books and poetry to keep him company. He drives a cab as a front for his job as a bagman and he does his job well. He also suffers from "brainquakes", severe migraine like episodes in which Paul hears the music of a flute and sees the world in a shade of vivid pink. He also sees things that aren't there during these mental seizures. But Paul still manages to get by until he meets a lovely young mother in Central Park.
Paul does what he shouldn't do, fall in love with Michelle, a mob widow with an infant son. When she shoots and kills a low level mobster, she and the baby are forced to go on the run. Paul helps them flee using a bag full of millions of dollars to grease the skids for their escape.
The two travel to France but they are trailed by another low level mobster, a determined New York City homicide detective and a professional killer named "Father Flanagan", a psycho who dresses like a priest and kills his victims by crucifixion (that's right, a hammer and three very large nails). Everything comes to a fevered third act in Paris, culminating in a furious gun battle aboard a house barge on the Seine.
The characters in BRAINQUAKE are numerous, colorful and well drawn but Paul is the real focus of attention here and Fuller does a good job of depicting a decent but deeply broken man struggling to find some modicum of peace and happiness in an insane world of crime, corruption and betrayal. The plot moves at a good clip but relies on some outlandish coincidences a couple of times in order to advance the narrative. Nonetheless, BRAINQUAKE is a first rate page turner by a world class storyteller.