THE LOST SQUADRON (1932) is a two-fisted pre-Code Hollywood drama (produced by RKO) that finds three pilots and their mechanic cast adrift in post WWI America.
The men are Captain "Gibby" Gipson (Richard Dix), Lt. "Woody" Curwood (Robert Armstrong), "Red" (Joel McCrea) and Sgt. Fritz (Hugh Herbert). The men were aces in the war torn skies over France during the Great War but have a hard time returning to their normal lives. Gibby, who longs to be reunited with his lover, Follete Marsh (the luminous Mary Astor), finds her in the arms of another man.
It's Woody that saves the day. He takes a job in Hollywood as a stunt flier for the maniacal independent film director Arthur von Furst (Erich von Stroheim). Gibby, Red and Fritz join Woody on the movie set and it's there that plot complications arise.
The leading lady in von Furst's next film is none other than his now wife, Follete. The director becomes insanely jealous of Gibby and tries to sabotage his plane. But it's Woody who flies the crate to his death, prompting Gibby and Red to mete out their own justice upon von Furst. They do so but there is now blood on their hands and one of the remaining pilots must atone for their sins. Since Red is engaged to be married to Woody's kid sister, The Pest (Dorothy Jordan), it's up to Gibby, a tragic hero if there ever was one, to pay the price.
THE LOST SQUADRON is a grim, no-nonsense drama full of exciting aerial combat, well staged "fake" combat for the cameras, lovely young ladies, a hissable villain and three square jawed heroes. It reflects the rougher subject matter and thematic concerns found in many pre-Code Hollywood films. It's no WINGS (1927), but it's an extremely well made film that is worth seeing.
Highly recommended.
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Thursday, December 12, 2019
THE LOST SQUADRON
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