Director Raoul Walsh's ALONG THE GREAT DIVIDE (1951), is a gritty, two-fisted black and white Warner Brothers Western which I watched for the first time last night (thanks to TCM!).
Kirk Douglas stars as federal marshal Len Merrick, who interrupts a hanging party at the beginning of the film. Pop Keith (Walter Brennan), stands accused of stealing cattle and killing the son of powerful rancher Ned Roden (Morris Ankrum). But Merrick will not let Pop be the victim of frontier justice. He and his deputies Lou Gray (Ray Teal) and Billy Shear (John Agar), are determined to take Pop to the nearest town to stand trial.
Along the way, they're joined by Pop's daughter Ann (Virginia Mayo) and the dead man's brother Dan (James Anderson). The small band braves the trackless wastes of the desert while being pursued by Roden's posse. Lives are lost and head games are played against Merrick in various attempts to free Pop before reaching Santa Loma. Once there, a trial is held and Pop is found guilty and sentenced to hang. But a last minute discovery changes everything, leading to a final shootout.
ALONG THE GREAT DIVIDE mixes robust action with more psychological material to produce an extremely satisfying film. Douglas, all deep dimpled chin and gritted, flashing white teeth, is solid in the lead and the supporting cast is uniformly excellent. Ray Teal appeared in dozens of films before playing Sheriff Roy Coffee on television's BONANZA. You've got to love any movie that stars future sf genre icons John Agar and Morris Ankrum and there's a brief appearance by Kenneth McDonald, who was a bad guy in various Three Stooges shorts. The screenplay by Walter Doniger and Lewis Meltzer fits into the cycle of more adult, psychological westerns that emerged in the 1950s while the cinematography by Sidney Hickox is sharp, using location landscapes to great advantage.
While not a classic, ALONG THE GREAT DIVIDE is nonetheless a durable, well made and very entertaining film that's well worth seeing. Recommended.